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A + for The A-Word: The most authentic look at Autism on screen.

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I worked for several years with a succession of autistic children—which mostly means boys—kids who were mainstreamed in regular education classrooms, with a classroom aide assigned to shadow them. That was me, the shadow. 

We also lived next door to a family who had an autistic son who became one of our son’s closest playmates, until we moved away at the end of elementary school. Chris, with his funny idiosyncrasies is the source of some very sweet memories, as well as moments of high drama. That’s what you get with autism, children who can be deeply involved when their needs and passions are directed and shared but who can sometimes find it frustrating when those needs are brushed aside. 

It’s typical for an autistic child to want to talk about dinosaurs—or whatever the passion is—and be frustrated while the rest of the kids have moved on to another topic. The autistic child is focused on that stegasaurus and exactly how cool it is, just not quite getting that the others don't shar…

Throwback Thursday: One Second of Fame



Throwback Thursday: One Second of Fame 


The set was the interior of an appliance store plucked right out of the 1960’s. As usual on a movie set there was a dull whirr of background noise, crew hammering, people yammering. There were a lot of people milling around, associate producers and set assistants who didn’t need to be there. Hair and makeup artists, the prop master, the gaffer, the script supervisor, who did. Oh yeah. And the director, the director of photographer, and the lead actor. 


I was so nervous, they were all a blur to me. I tried not to stare at Tom Hanks conferring quietly with his DP, Tak Fujimoto. I knew Fujimoto was a fairly big deal, he’d worked with Tom on Philadelphia, shot Jodie Foster in Silence of the Lambs, Molly Ringwald in Pretty in Pink and Matthew Broderick in Ferris Bueller’s Day Off. And now, he’d be shooting me and Russell, for our one second of fame, in That Thing You Do.


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