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Dreaming of France: 29 Avenue Rapp

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Scrolling through my Instagram& finding this image, I’m surprised I haven’t shared this particular French door for Dreaming of France before. 29 Avenue Rapp boasts what might be the most famous door in Paris. It’s definitely one of the most beautiful.



Designed by Jules Lavirotte in 1901 it’s a striking example of Art Nouveau architecture and features the very risque sculpted Adam and Eve above the door. I first saw the building in the movie Gigi as the building where Gigi's Aunt Alicia lives and where Gigi goes for her lessons in how to catch the right man. Preferably someone rich like Gaston.

Naturally when Mark and I visited Paris, we had to pay the building a visit. What struck us about 29 Avenue Rapp was how many people just walk on by, as if were nothing special, just another old stone edifice, the door, just another entry. I think even if I lived on the block, even if I saw the building and its door every single day, I would still have to pause and take it in. Not a whole …

#ThrowbackThursday: Turkish Delight

It’s #ThrowbackThursday and I don’t think I could throw it back any further than this, my earliest memory. 

Turkish Delight 

There's darkness everywhere, shapeless black all around except for a blur of wavering yellow light in the distance. Something has woken me up. Muffled voices in the darkness; a man's—deep, hushed, whispering. Then another—higher pitched, a lady's? My mother's? I hear my name, "Simone" but I can't make out the rest; just sharp, staccato sounds. A shadow crosses the yellow light, so huge it blocks the brightness, and there's nothing but blackness again. The dark shadow, darker than the darkness, is moving fast, coming closer, heading towards me and I'm too terrified to move or breathe or close my eyes. If I stay perfectly still maybe it won't get me. I watch as the black blur moves towards me, growing larger as it comes closer and closer and just as it reaches under the blanket to scoop me up with its big hands, I want to cry because I can tell from the smell that it's my father. "It's Daddy" he says, pulling a blanket around me, and I relax into his arms. I still can't make him out properly but I know it's him, the way his neck feels, warm and bristly, the way his skin smells of cigarettes and Brylcreem.  He moves with me toward the yellow light, and I see now that it's the ceiling lamp in the hallway. There are tiny bugs frozen behind the frosted glass just like always.
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